8. 1916 |
Ferruccio
Busoni: Sonatina ad usum infantis Madeline M. Americanae pro Clavicimbalo
composita [Sonatina (#3) for the use of the young American Madeline
M., composed for harpsichord] [BV 268].
Kenneth Cooper, harpsichord.
92nd St. YMHA, New York: Harpsichordiana I (NY premiere, 11/14/1979).
Harpsichord: Frank Hubbard-Edward Brewer.
Molto tranquillo - Andantino melancolico
- Vivace (alla Marcia) - Molto tranquillo - Polonaise (un poco
cerimonioso)
In 1910, the great composer-pianist Ferruccio
Busoni visited America and discovered the world's finest harpsichord
builder, Arnold Dolmetsch, gainfully employed by the Chickering
Piano Company in Cambridge, MA. He thought Dolmetsch's English
harpsichords were "magnificent" and had one sent to
Berlin. (There exists a lovely photograph of Busoni sitting at
this harpsichord in his Berlin studio.) When he returned to the
U.S. in 1915, he taught in New York and among his students, apparently,
was the young American girl Madeline M., for whom he composed
his 5-movement harpsichord Sonatina. The work is a gem
of neo-romantic eclecticism, beginning with a prelude and fughetta
in the style of Puccini, a witty but satiric Mahleresque march,
and finally a Chopin-like polonaise stretching the capabilities
of the harpsichord to its utmost. The work is playful and humorous,
but like all wit, has its core somewhere near the truth.
  
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